“I certainly did nothing wrong,” he says in the Vanity Fair article, referring to himself as a “scapegoat” and “sacrificial lamb” in the article. According to the Vanity Fair article, which dives into deeper detail about the FBI investigation and the convoluted back story of how the art came to be discovered, De Groft is waiting, too - for his name to be cleared. Walsh said Platform’s debut was well attended by fans of the former First Thursday series and newcomers the next Platform event will be July 28.īut as long as the FBI investigation into the art of “Heroes & Monsters” continues and the community awaits answers from Orlando Museum of Art leadership, a shadow hangs over the institution’s efforts. It has instituted a new quarterly “Platform” event that spotlights local artists in a social setting. The museum’s latest installment of its Florida Prize in Contemporary Art is up and running. It’s the first institution in the country to display the current winners of the Outwin Boochever Portrait Competition in an exhibition from the National Portrait Gallery of the Smithsonian Institution. The museum has been moving forward in other ways. Orlando Museum of Art’s new Platform series of quarterly art-inspired social events debuted in March. Orlando Museum of Art recently hired Cathryn Mattson as its interim executive director and CEO she started on the job in May. Theresa Collington of Tucker/Hall, the crisis-management public-relations firm hired by the museum after the scandal broke, said museum leaders had nothing to add to the statement. At the appropriate time, the museum looks forward to sharing our story regarding the works in question.” “The museum is eager for the to continue its investigation and hold those who committed crimes responsible. “Where such actions can be disclosed publicly, they have been and will continue to be,” the statement read. In its most recent statement, the museum hinted that more information may be forthcoming. Although the board began hearing the Akerman firm’s findings last fall, not much has been shared with the public - a situation that caused the Orlando Sentinel editorial board to take the museum to task. The museum had contracted Akerman law firm to conduct an internal investigation on how the scandal came to pass, and board chairman Mark Elliott had stated its results would be shared with the community. In its statement, the museum also revealed its board was undergoing governance training and had adopted new personnel policies with enhanced whistleblower protections. (Ricardo Ramirez Buxeda/Orlando Sentinel file photo) Ricardo Ramirez Buxeda/Orlando Sentinel/TNSThe public is still awaiting information from a museum-commissioned investigation into the Basquiat scandal. It mirrored an earlier statement released to the Orlando Sentinel and other media outlets where the museum expressed hope the FBI probe would bring “justice to all victims.” Orlando Museum of Art spokeswoman Maureen Walsh did not comment on the Vanity Fair article but provided a copy of the statement given to reporter Freeman. That partnership inspired a play, “The Collaboration,” which ended its Broadway run earlier this year with Orlando native Jeremy Pope starring as Basquiat. 28 at the Louis Vuitton Foundation in Paris. “Painting with Four Hands,” a look at works created during a collaborative period between Basquiat and pop artist Andy Warhol, can be seen until Aug. Through July 31, The Grand LA in Los Angeles hosts “Jean-Michel Basquiat: King Pleasure,” a collection of more than 200 rare works organized by his sisters Lisane Basquiat and Jeanine Heriveaux. Other major exhibitions of his work are on view. (The record is $110.5 million for an untitled work auctioned in 2017.) That’s only the fourth-highest price paid for a Basquiat work. At an auction last month, a 1983 Basquiat painting titled “El Gran Espectaculo (The Nile)” sold for $67 million.
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